Category Archives: News and Events

Collecting Critically: A Q&A with Henry Thaggert

Andy Warhol’s relationship to abstraction is charged. Despite a late-career painterly impulse — which included the Shadows series currently exhibiting at the Hirshhorn — his pictorial language based on representation fundamentally questioned the narrative of post-war painting as defined by Clement Greenberg. And the implications of Pop Art’s … Continue reading

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By Any Means Necessary: Q&A with Chip Allen

  Chip Allen’s letting loose. He’s squeegeed, splattered, and gesturally brushed over his geometric abstractions, and by the looks of it action painting’s winning out. His loose, intuitive marks and smudges run interference across seemingly systematic lines, the resulting balance a … Continue reading

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That Thing You Do: 10 Questions for NUDASHANK

If Paddy Johnson calls you a star, you must be doing something right, and lately it seems like Nudashank can’t miss. Most recently it was Out of Practice, a group show artist-run gallery curated at the temporary Art Blog Art Blog exhibition space in Chelsea, which … Continue reading

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“Something Other than the Present” in the Washington Post

The work I have in Something Other than the Present, June 16 to July 17 at the DC Arts Center, was featured in a short writeup by Mark Jenkins in the Washington Post last week. Here’s an excerpt. You can … Continue reading

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Material Crescendo: Frank Stella at The Phillips Collection

Frank Stella doesn’t play second fiddle, but for Wassily Kandinsky he’ll play second harpsichord. Well, sort of. Currently on display at The Phillips Collection in Washington, D.C. is Stella Sounds: The Scarlatti K Series, a subset of the painterly sculptures the … Continue reading

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Capitol Ideas: Heiner Contemporary opens in DC

With a few exceptions, most art galleries left the DC neighborhood of Georgetown ten years ago in search of cheaper rent. Many of them settled on the 14th Street corridor and the 1515 building before gentrification and skyrocketing rents recently pushed some of the bigger players toward … Continue reading

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Radiant Fields: 7 Questions for Benjamin Edmiston

Currently featured in #93, the MFA Annual edition of New American Paintings now on newsstands, Benjamin Edmiston‘s latest work — elaborate paintings, drawings, and collages — is also on view at Nudashank in Baltimore as part of the group show Radiant Fields (also featuring Edward Max Fendley and Steven Riddle). The show opened … Continue reading

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“The Shape of Things to Come” at NUDASHANK

NUDASHANK’s progressive bent can make most local commercial galleries seem downright uncouth. Arguably the crown jewel of Baltimore’s thriving DIY artist-run spaces, NUDASHANK routinely showcases emerging artists that are on a firm upward trajectory, like Nick Van Woert, Matthew Craven, Alex Lukas, and Benjamin Edmiston (included in … Continue reading

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Interview with Sam Gilliam

Sam Gilliam’s most celebrated accomplishment — the suspended painting — made its debut at the Corcoran Gallery of Art in September 1969. While other artists like Richard Tuttle and William T. Wiley were also experimenting with the unstreched canvas during the same period, Gilliam’s … Continue reading

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Interview with Christopher French

The work of Christopher French, currently on display at Marsha Mateyka Gallery in Washington, DC, can be read as well as seen. The artist has explored braille in his paintings for over two decades, first as textual passages and more … Continue reading

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Interview with Mia Feuer

Mia Feuer’s sculptures don’t care for your personal space. They take inspiration from the inner workings of the urban landscape and bring fractured outdoor structures into the gallery, usually at such a large scale that you’ll have to duck. Her … Continue reading

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Blinky Palermo at the Hirshhorn

The work of German artist Blinky Palermo (1943-1977) can be generally classified into four cohesive groupings: Objects, Stoffbilder (Cloth Pictures), Wall Drawings and Paintings, and Metal Pictures. Like his contemporaries Frank Stella, Robert Ryman, and Richard Tuttle, Palermo interest lied … Continue reading

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Philip Guston at the Phillips Collection

Philip Guston, celebrated abstract expressionist of the New York school, returned to the American Academy in Rome (where he was a fellow in 1949) as resident artist in 1970-71 on the heels of his poorly-received show at Marlborough Gallery in … Continue reading

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